I THOUGHT THIS book would be a light
summer read, a perfect companion to the course on contemplation I
was attending in Vancouver. It does start out that way, but Empire
Falls is a sleeper. It’s the kind of book that starts out
meandering its way through a handful of people’s lives, through
their present and their past. It’s humourous and poignant. But
as the narrative moves along, you begin to realize the book is more
than anecdotal; something is being said. You
can respond to Linda Tiessen Wiebe here
Empires Falls is a small town in Maine that once thrived on the paper
and textile mills, owned by the resident rich Whiting family. Free
trade and globalization have closed the mills and the town is slowly
dying. In the middle of a decaying downtown is the Empire Grill, owned
by the power-brokering widow of the dwindling Whiting family, and
managed by everyman Miles Roby. Miles gave up a college degree to
return home to nurse his dying mother, and 20 years later he’s
still there. In the midst of being divorced by his image-obsessed
wife, Miles feels like life happens to him. It is from his vantage
point behind the grill, in the midst of the town, that the story is
told.
Miles isn’t the narrator, but somehow he’s the center
of the book. At first, he seems like a washed-up, passive middle-aged
guy, a kind of benevolent loser who doesn’t seem to have any
goals, never gets angry and seems to coast. But Miles is thoughtful,
and what at first appears as passivity reveals itself to be a kind
of long-suffering. Through Miles’ working-class eyes, Richard
Russo shares some wonderful insights into what makes life in North
America meaningful. Miles realizes he’s never been in love with
his wife, but his affection and patience with her incessant dissatisfaction
with life is closer to love than her demand for romance and sex. Miles’
brother David is into his third sober year, after a potentially deadly
collision with a tree left him with limited use of an arm, ending
a lifetime of dissipation. Miles and David work together at the diner
in a wary truce that could one day move into true friendship, but
they can’t quite seem to extricate themselves from family history.
Miles’ sixteen-year-old daughter Tick is dealing with first
love, a jock/bully ex-boyfriend and the disillusionment of a mother
who’s lost 50 pounds and any sense of substance along with it.
Miles and Tick are close but strained as both are trying to figure
out life after divorce. Miles’ father Max is a scoundrel in
a way. In Miles’ childhood, Max was in and out, bouncing between
his work as a painter and week-long binges at the bar. He wasn’t
violent, just completely selfish and never apologetic. There is something
likeable about Max because he is what he appears and never pretends
anything. He doesn’t express remorse but sometimes extends himself.
He is a cad, always trying to scam money to augment his pension, but
he truly knows how to enjoy himself with others. Miles has a strangely
positive relationship with Francine Whiting who owns the diner, most
real estate in town and everyone’s hopes for the future. She
is cold and calculating but somehow seems benign towards Miles. And
Cindy, Francine’s crippled daughter, orbits Miles’ world
with an insatiable crush on him. Miles navigates all these relationships
in a fumbling but thoughtful way. Nothing is ever quite what it appears.
He struggles with duty and resentment, freedom and obligation, delusion
and the search for authenticity. He has a good heart, and an honest
appraisal of himself, but can’t seem to make sense of his life.
One of the themes that courses through Empire Falls, like
the river by the town, is that of personal destiny, of living your
own life instead of someone else’s expectations. Every character
has to face making compromises to what they sense is their authentic
life, and in a sense the narrative plot is the collective consequences
of these confrontations.This is the story of life in a small town,
but on a deeper level Empire Falls shows us how ordinary
lives make a difference, for good or bad, in other ordinary lives.
Choice and consciousness mean the difference between tragedy and meaningful
suffering. Nurturing compassion can allow us to observe seemingly
banal situations and see the human hearts buried within them. Personal
destiny doesn’t mean making it big or achieving goals. It comes
to mean looking in the mirror and being able to live with the choices
you’ve made. And most of all, personal destiny isn’t dictated
by the past. History impacts us, shapes our lives, but we are always
presented with opportunities to respond from our authentic hearts.
This is a story about everyperson, about how the small things in life
are never really that small. It’s a great read to open your
heart.
Russo, Richard. Empire Falls. New York: Vintage Books, 2001.
483 pages. ![]()
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